HALL OF HARMONY CONCERTS
 

 
Successful Application of the Harmony Laws of Nature
Peter Hübner “Scientific Fundamentals of Music Aesthetics”
Excerpt from Peter Hübner's Book: “Natural Music Creation”” 
 
Motivation and Responsibility
of the Musician


    
 
The in­te­grated di­ver­sity of the se­quences, melo­dies, and mo­tifs enli­vens within the lis­tener the world of his in­ner cog­ni­tion and a natu­ral aware­ness of his own in­ner power: the pro­found feel­ing of free sov­er­eignty over his in­ner po­ten­tial of hap­pi­ness.

  
The Domain of the Musical Force-Fields
  
 
The mu­si­cian who, when mu­si­cally struc­tur­ing the sound-space, wants to ex­press this in­ner lively world out­wardly, will ini­tially en­coun­ter dif­fi­cul­ties, be­cause some­thing from inside can­not read­ily be trans­formed into some­thing out­side.

 
The Inner Dimension of the Interpretation
  
 
To mas­ter this task of ex­press­ing com­pre­hen­sive hu­man val­ues through the in­ter­pre­ta­tion re­quires great ideals and the aware­ness of a deep, con­scious re­spon­si­bil­ity to­wards hu­man­ity.

    
 
Love of mu­sic is es­sen­tially a qual­ity of the lis­tener. In the in­ter­preter, in the mu­sic ex­pert, it is the love of man­kind which must domi­nate if he wants to pro­mote the good in the world through mu­sic.

  
Examining the Interpreter's Intentions
  
 
And when the mu­si­cian ful­fils this re­quire­ment, he will have the ba­sic at­ti­tude needed to ac­com­plish the la­bo­ri­ous proc­ess of truth­ful con­vey­ance of mu­sic un­per­turbed, and he will emerge from it ful­filled.

    
 
In the con­ven­tional tech­nique of com­pos­ing al­ways the motif or the melody seemed to be the first, which the com­poser no­ticed dur­ing in­ner hear­ing. Around the motif or the melody he built – so one thought – the se­quence and then de­ter­mined the har­mony tech­nique.

  
Analysis of conventional composing
  
     
     
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  With kind permission of AAR EDITION INTERNATIONAL
© 1998 -  MICRO MUSIC LABORATORIES 		   
     
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